Balanchine regarded Apollo as his artistic coming of age. He said that through the creation of this work, he learned he could "dare not use all my ideas, that I too, could eliminate. . . to the one ...
Commonalities and contrasts : a meeting of minds -- At the crossroads : the intercession of Diaghilev -- An early encounter : Le chant du rossignol -- From Delos to Paris : the voyage of Apollo -- The ...
In the George Balanchine canon, there is only one god. His name is Apollo. This title role is conferred upon only a few at New York City Ballet. Those who are cast in this Stravinsky ballet are the ...
Choreographer George Balanchine had one mission, says Edward Villella, who danced many roles Balanchine created at the New York City Ballet in the 1950s and 1960s. "He understood it was his ...
The 1928 work, the oldest Balanchine piece in City Ballet’s repertory, imagines Apollo as a youth, still a little raw and vulnerable, experimenting with three muses, discovering music and dance. NEW ...
The ‘Balanchine's Legacy' International Ballet Gala, a landmark event dedicated to the work of George Balanchine - the figure who redefined the language of 20th century ballet and laid the foundations ...
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