The late Andrew Porter, for many years the classical-music critic of The New Yorker, once wrote that he was tempted to consider “The Mother of Us All,” the composer Virgil Thomson’s second stage ...
NORTH ADAMS — Paul Lazar couldn’t get it out of his head. “I saw a little funny bit of it on YouTube,” he said, while searching for examples of work by Richard Foreman to show his students at New York ...
Theater director and playwright Robert Wilson, now eighty years old, is a legend in the field. Raised in Waco, he studied business at the University of Texas at Austin before heading off to New York, ...
John Glover’s Eat the Document is based on Dana Spiotta’s 2006 novel about New Left activists. Maria Baranova-Suzuki Throughout, a tenuous connection is drawn between Weathermen-style 1970s militants ...
From Feb. 21 to Feb. 23, Lowell House Opera returned to its historic venue, the Lowell House Dining Hall, with a three-performance run of Dominick Argento’s opera “Postcard from Morocco.” Directed by ...
It may be one of the most mysterious film experiences you'll encounter this year, a mesmerizing mashup of music, opera and dance that was inspired by a historical coincidence — the deaths, on the same ...
German director Dirk Schattner's provocative take on Mozart's "The Abduction from the Seraglio" sets the opera inside a teenage girl's bedroom. Last Friday, one of the Garden State's more tranquil ...
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