A performance artist, dancer, choreographer, videographer, filmmaker and curator, he was a central figure in the downtown ...

Intervals is a new arts and performance event space in the heart of Little Italy. Founder and director Preston Swirnoff said this first official show is a great indicator of the multidisciplinary, ...

Earlier this month, Anohni released the remarkable album HOPELESSNESS**. Its danceable electronic sound is something of a departure from the soulful chamber pop that made Anohni—formerly known as ...

The avant-garde composer Pamela Z is best known for her vocal and spoken word electronic works, often looping and collaging sounds as they are performed. On a recent Friday in East Quad Residence Hall ...

How do we scale the success of art? We could reference many rubrics in response to that question; however, the endeavor to arrive at one satisfying scale would be arduous and likely boring. So, let’s ...

STATEN ISLAND, N.Y. -- Staten Islanders Zoë Tirado and Jenno Snyder wanted to create a space for LGBTQ+ artists and performers to be able to express themselves. This creative duo, along with Rachel ...

September is busting with concerts galore too long to fit into this small space but besides the more detailed list below, here’s a go at a quick roundup this month’s can’t-miss shows. Just in the last ...

José Sabogal, Cover design of Amauta vol. 4, no. 26, September-October 1929, magazine, 9 15/16 x 6 15/16 in., Archivo José Carlos Mariátegui, Lima, Peru (all images courtesy the Blanton Museum of Art) ...

MONTREAL—A stolid North American city with a Gallic soul, Montreal enjoys its quiet reserve as much as its wildness—a combination that makes it one of the world’s most popular cities for conventions ...

The 2025 Super Bowl halftime show starring Kendrick Lamar has sparked intense debate over whether it ranks as the worst halftime show in Super Bowl history. Lamar's avant-garde performance divided ...

The show had elements that, if described, might sound alienating, but which within the context of the performance brought the audience and the performer closer, evoking empathy rather than horror.