Brice Marden, “Etchings to Rexroth” (1986), print; sugarlift, aquatint, openbite, drypoint, and scraping. San Francisco Museum of Modern Art, Purchase through a ...
Calligraphy, once considered the highest form of writing, faces new questions in an age of screens and sensors. Is this ancient art still tethered to brush and ink? The resounding response: not at all ...
The Chinese program in Asian Studies organized an interactive Chinese Calligraphy Class on September 23rd. The class invited students from China (Danny Huang ’25, James Li ’25, Willa Wang ’25) to ...
Chinese calligraphy is more than brush-and-ink writing — it embodies Confucianism, Taoism, Zen Buddhism, and yin and yang philosophy. Over millennia, these traditions have shaped its aesthetics ...
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