Religious hypocrisy, sexuality and issues of class were recurring themes for Pasolini, who often explored them on film in mordant fashion. But in the early 1970s, immediately after his adaptation of ...
'70s Week: Waters talks the shocking Italian classic "that people were insane from" and how Pasolini's horrific, anti-fascist vision figures into his own art-meets-exploitation-film aesthetic. (As ...
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