WHEN AN OIL painting is dried and finished, it is supposed to stay that way. Yet when Ida Bronken, an art conservator, began to prepare Jean-Paul Riopelle’s “Composition 1952” for display in 2006, she ...
MIT graduate student Alex Kachkine once spent nine months meticulously restoring a damaged baroque Italian painting, which left him plenty of time to wonder if technology could speed things up. Last ...
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