Death and desire make for strange bedfellows in the films of Alain Guiraudie.

Every cameo is another brush stroke in the portrait rendered by “The Studio”: A collective middle finger to the system, sent ...

To watch the fifth episode of Ken Burns' "Baseball" is to see exactly what makes the sport great as a metaphor for the ...

One quite literal manifestation of that is Dominican director and screenwriter Jose Maria Cabral’s film “42nd Street.” It’s ...

The unbroken shots of Netflix's hit crime drama are more than just for show: They hit at the emotional immediacy of grief and ...

The Residence” is a comedy of manners and murder that nails scintillating satire to the White House walls, compelling us to ...

In this version, the question has more nuance because the young Snow White (Emilia Faucher) is taught by her parents, the ...

“The Paris of the Midwest,” some call it. Once a year, over the first weekend in March, Columbia, Missouri becomes the most interesting hub of learning for any student film connoisseur. The ...

Centered: Joe Lieberman” is an unabashed but superficial love letter to the proudly bipartisan Senator from Connecticut who ...

Magazine Dreams” is a dark drama in the vein of “Taxi Driver,” Martin Scorsese’s film about a disturbed cabbie named Travis ...

I walked away from “Happy Face” having mostly enjoyed the experience of watching it, but I couldn’t say I was smiling.

Created by Ronan Bennett, “MobLand” actually started life as a Showtime spin-off/prequel to the cable network’s hit “Ray Donovan,” seeking to tell an origin story for the family around everyone’s ...