Dec 13, 2024 · October 8, 2024 Podcast, Weekly Episodes. Film Pulse Podcast: 517 – THINGS WILL BE DIFFERENT Review. This week on the show we'll be taking a look at the mind-bending thriller Things Will Be Different along with some other stuff including The Front Room, The House by the Cemetary, To Live and Die in L.A., Witchery, Apartment 7A, The Skeleton Key, Salem's Lot, It's What's Inside, The Platform ...

The Latest Indie Film News, Movie Reviews, Trailers, Festival Coverage and More

The Latest Indie Film News, Movie Reviews, Trailers, Festival Coverage and More

Jan 29, 2025 · This week on the show we'll be taking a look at the holiday comedy Christmas Eve in Miller's Point. We'll also be talking about Christmas Evil, Village of the Damned, Night of the Dark Full Moon, Bark, and Nosferatu the Vampyre.

Jan 29, 2025 · This week, we take a look at Robert Egger's Nosferatu, along with some other stuff including Dagon, Flow, Dark City, Heretic, Gloria, Y2K, and Anora.

October 19, 2013 Festivals, Reviews. Screamfest 2013: THE SEASONING HOUSE Review. Release Date: December 3, 2013 (DVD & VOD) Director: Paul Hyett MPAA Rating: Unrated Film Pulse Score: 6.5/10 It’s fair to say that the only thing that could prove much […]

Jul 22, 2017 · This affects some of the on-screen talent. As lead actors, DeHaan and Delevingne end up giving curiously understated performances. They seem out-of-place, as a rogues’ gallery of character actors and some surprising cameo appearances comprise a deliriously over-the-top supporting cast, who otherwise feel at home within the vivid universe and its CGI inhabitants.

Apr 7, 2020 · I always had a soft spot for thrillers that take place in confined areas since I fell in love with Alien as a kid, and between this and Underwater, which was released earlier this year, I’m hoping this indicates a new era of slimy, nerve-wracking, sci-fi horror titles.. Gunpowder & Sky’s sci-fi label DUST will host the LIVE STREAM PREMIERE of SEA FEVER on Thursday, April 9th, 5:00pmPT/8 ...

Jun 26, 2019 · It’s hard to believe Midsommar is director Ari Aster’s second feature, a title so imbued with undeniable craft and talent that one would hardly believe that it is a sophomore effort. After last year’s Hereditary, Aster returns to his exploration of loss and grief, but this time around – rather than a splintering family – he looks at the decline of a relationship, which is framed ...

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