Banalotopia and Carl Orff’s Carmina Burana share a ritual rather than narrative logic. Orff avoids psychological characters and instead stages collective voices, archetypes and social roles. Banalotopia works similarly: recurring callers, institutional voices and running gags (such as Warren’s calls) function as positions inside a system, not as individuals. In Carmina Burana, fate appears as the blind wheel of Fortuna. In Banalotopia, arbitrary media and bureaucratic routines replace fate with

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